Misplaced Tears and Rightly Placed Grief
Misplaced Tears and Rightly Placed Grief Recently, a dear friend wrote to me after listening to a pravacana-kartā speak of Kar ṇ a’s nobility at the moment of his death, as portrayed in Villibhāratham that glorious Tamil re-telling of the Mahābhārata rooted in the genius of Śrī Villiputtur Ā ḻ vār. “His narration brought tears to my eyes,” he said, “aided by the vivid imagery of the movie and Śirkāzhi’s voice in the background.” And honestly, who wouldn’t be moved? Villibhāratham is a testament to the bhakti and genius of Sri Villiputtur Ā ḻ vār. His imagination, while clearly a departure from Vyāsa’s Mahābhārata, is soaked in daivī sampat – divine qualities. Take Kar ṇ a. In Vyāsa’s text, Kar ṇ a is a deeply grey character – dazzling brilliance mixed with grievous and tragic blind spots. In Villibhāratham , those grey shades are deliberately “optimized”: his nobility is amplified, his conflicts softened, all to uplift the target audience and inculcate re...